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2016

Jan 10 Stolen Moments (woodwind quintet, string quartet and piano, 2008). Collage New Music, David Hoose, conductor. Pickman Hall, Longy School of Music, Cambridge Massachusetts.


Jan 27 Solid Goldie (étude #90) and Sizzle (prélude #21 *premiere*) (piano solo). Marilyn Nonken, piano. University of Pennsylvania, Philadelphia, Pennsylvania.


Jan 31 Pull a Wall Up (prélude #3), In a Regal Rage Ran I (prélude #6), Riccio (prélude #43). Geoffrey Burleson, piano. Roerich Museum, New York, New York. 5 pm.


Feb 2 Sizzle (prélude #21) (piano solo). Marilyn Nonken, piano. Le Poisson Rouge, New York New York.


Feb 27 Ragno (prélude #49) and Ain't Got No Right (étude #67) Pull a Wall Up (prélude #3), In a Regal Rage Ran I (prélude #6), Riccio (prélude #43). Geoffrey Burleson, pianist. Concord Library, Concord, Massachusetts. 7:30 pm.


Mar 17 Pull a Wall Up (prélude #3), In a Regal Rage Ran I (prelude #6), Riccio (prelude #43) plus other preludes *premiere*. Geoffrey Burleson, piano. Thalia Theater, Symphony Space, New York, New York. 1 pm.


Mar 19 The Ladies Who Lunch (2010, Liaisons Project). Anthony de Mare, piano. Queens Central Library, Queens, New York. 3 pm.


Apr 4 Gnöpélledie (prélude #57, 2016 *premiere*) Nicholas Underhill, piano. CSU Drinko Auditorium, Cleveland, Ohio.


Apr 8 Pull a Wall Up (prélude #3), In a Regal Rage Ran I (prelude #6), Riccio (prelude #43) plus other preludes *premiere*. Geoffrey Burleson, piano. Bargemusic, New York, New York. 


Apr 8 Gnöpélledie (prélude #57, 2016 *premiere*) Nicholas Underhill, piano. Spaces, Cleveland, Ohio.


Apr 14 Childs, Cobra, Happy Baby, Cow and Cat, Scorpion, and Corpse (from Preludes Book IV *premiere*) for piano. Kara Huber, piano. Richard Bradshaw Amphitheater, Canadian Opera Company, Toronto, Ontario, Canada. Noon.

Apr 16 Gnöpélledie (prélude #57, 2016 *premiere*) Nicholas Underhill, piano. Heights Arts, Cleveland, Ohio.


Apr 18 Scatter (voice and piano, 1991) Ah Young Hong, soprano, and Susan Nowicki, piano. And Natura Morta (piano quartet, 2015 *premiere*). Network for New Music, Haverford College, Haverford, Pennsylvania.


Apr 30 Symphony in D (orchestra, 2015 *premiere*). New England Philharmonic, Richard Pittman, conductor. Tsai Performance Center, Boston, Massachusetts.


May 10 Rip (prélude #29 *premiere) and Scatter (1991). St. Nicholas Church, Brighton Fringe Festival, Brighton, England. 7:30 pm.


May 12 Mind the Gap (prélude #18), Ghepardo (prélude $48 *premiere*), Wayo (prélude #51 *premiere*). Sarah Bob, piano.  New Gallery Concert Series, The Community Center of Boston. 7 pm.


May 18 Induction into American Academy of Arts and Letters.

Jun 22 Solid Goldie (étude #90) and Sizzle (prélude #21) (piano solo). Marilyn Nonken, piano. Jordan Hall, Boston, Massachusetts.


Jun 24 The Ladies Who Lunch (2010, Liaisons Project). Anthony de Mare, piano. Melbourne Recital Centre, Melbourne, Australia.


Jun 26 Moody's Blues (étude #51, 2003). Michael Kirkendoll, piano. Sala Neumann, Cortona, Italy. 6 pm.


Jul 5 Slap Happy (Flutude #2, 2008) Brian Allred, flute. Sala Neumann, Cortona, Italy. 6 pm.


July 9 Mind the Gap (prélude #18), Ghepardo (prélude #48), Wayo (prélude #51). Sarah Bob, piano. All Saints Parish, Brookline, Massachusetts. 7 pm.


Jul 18 Ain't Got No Right (étude #67, 2005) and Dorian Blue (étude #72, 2006). Geoffrey Burleson, piano. International Keyboard Institute & Festival, Kaye Playhouse at Hunter College, New York, New York. 5:00 pm.


Jul 21 Mind the Gap (prélude #18), Ghepardo (prélude $48), Wayo (prélude #51). Sarah Bob, piano. Teaneck Public Library, Teaneck, New Jersey.


Jul 26 Ain't Got No Right (étude #67, 2005) and Dorian Blue (étude #72, 2006). Geoffrey Burleson, piano. Fondation des états-unis, Paris, France. 5:00 p.m.


Aug 5 Mind the Gap (prélude #18), Ghepardo (prélude #48), Wayo (prélude #51). Sarah Bob, piano. Stone Mountain Arts Center, Brownfield, Maine. 5 pm.


Sep 11 Mind the Gap (prélude #18), Ghepardo (prélude $48), Wayo (prélude #51). Sarah Bob, piano. Aisian Amerian Association, Isaac Harris Cary Memorial Building, Lexington, MA.


Sep 24 Arabesques I Have Known (Pierrot ensemble plus percussion, 2016 *premiere*). Boston Musica Viva, Richard Pittman, conductor. Tsai Performance Center, Boston, Massachusetts.


Oct 9 Mind the Gap (prélude #16), Mind the Gap (prélude #17 *premiere*) and Mind the Gap (prélude #19 *premiere*). Yukiko Sekino, piano. Spectrum, New York, New York. 3 pm.


Oct 23 Ain't Got No Right (étude #67, 2005) Pull A Wall Up (prélude #4, 2010), In A Regal Age Ran I (prélude #6, 2010) and Riccio (prélude #43, 2014). Geoffrey Burleson, Boston Musica Viva fundraiser, Dedham, Massachusetts. 2 pm.

Nov 9 Moody's Blues (étude #52, 2003), Fists of Fury (étude #25, 1999), A Gliss is Just a Gliss (étude #30, 2000) and Absofunkinlutely (étude #68, 2006). Kara Huber, piano. Alice F. and Harris K. Weston Art Gallery, Cincinnati, Ohio. 7 pm.

2017


Jan 7 Natura Morta (piano quartet, 2015). Musiqa, Zilkha Hall, Houston, Texas.


Jan 28 Mind the Gap (prélude #16), Mind the Gap (prélude #17) and Mind the Gap (prélude #19). Yukiko Sekino, piano. Williams Hall, New England Conservatory, Boston, Massachusetts.

Jan 29 Compass (saxophone quartet, 2010). Prism Quartet, Slosberg Hall, Brandeis University, Waltham, Massachusetts. 1 pm.

Feb 7 The Ladies Who Lunch (2010, Liaisons Project). Anthony de Mare, piano. Evolution Contemporary Series, An Die Musik, Baltimore, Maryland.

Feb 12 Moody's Blues (étude #52, 2003), Fists of Fury (étude #25, 1999), A Gliss is Just a Gliss (étude #30, 2000) and Absofunkinlutely (étude #68, 2005). Kara Huber, piano. Renwick Gallery, Smithsonian American Art Museum, Washington, DC. 3 pm.

Feb 17 Mind the Gap (prélude #16), Mind the Gap (prélude #17) and Mind the Gap (prélude #19 ). Yukiko Sekino, piano. Blue Bamboo Center for the Arts, Winter Park, Florida.

Feb 18 Mind the Gap (prélude #16), Mind the Gap (prélude #17 *premiere*) and Mind the Gap (prélude #19 *premiere*). Yukiko Sekino, piano. Atlantic Music Center, Melbourne, Florida.

Feb 24 Mind the Gap (prélude #18), Ghepardo (prélude $48 *premiere*), Wayo (prélude #51). Sarah Bob, piano. St. Cloud State University, St. Cloud, Minnesota.

Feb 26 Moody's Blues (étude #52, 2003), A Gliss is Just a Gliss (étude #30, 2000) and Absofunkinlutely (étude #68, 2005). Kara Huber, The Salon, Philadelphia, Pennsylvania.

Mar 1 Fists of Fury (étude #25, 2000). YouKyoung Kim, Hastings International Piano Competition Semi-Finals, Hastings, England, United Kingdom. 11:35 a.m.

Mar 2 Moody's Blues (étude #52, 2003), Fists of Fury (étude #25, 1999), A Gliss is Just a Gliss (étude #30, 2000) and Absofunkinlutely (étude #68, 2005). Kara Huber, piano. Silk Purse Arts Centre, West Vancouver, British Columbia, Canada. 10:30 am.

Mar 4 Mind the Gap (prélude #18), Ghepardo (prélude #48), Wayo (prélude #51). Sarah Bob, piano.  Radius Ensemble, Pickman Hall, Longy School of Music, Cambridge, Massachusetts.


Mar 4 Absofunkinlutely (étude #68, 2005) and Dorian Blue (étude #72, 2006). Amy Briggs, piano. Dairy Center for the Arts, Boulder, Colorado. 7:30 p.m.

Mar 4 Moody's Blues (étude #52, 2003), Fists of Fury (étude #25, 1999), A Gliss is Just a Gliss (étude #30, 2000) and Absofunkinlutely (étude #68, 2006). St. Mary the Virgin, Oak Bay, British Columbia, Canada. 7 p.m.

Mar 5 Moody's Blues (étude #52, 2003), Fists of Fury (étude #25, 1999), A Gliss is Just a Gliss (étude #30, 2000) and Absofunkinlutely (étude #68, 2006). Kara Huber, piano. St. Michael's Church, Chemainus, British Columbia, Canada. 2 pm.


Mar 9 Martler (étude #14, 1997). Sound on the Edge, Ilshin Hall, Seoul, South Korea. 7:30 pm.

Mar 9 Mind the Gap (prélude #18), Ghepardo (prélude #48), Wayo (prélude #51). Sarah Bob, piano.  JPCH, Jamaica Plain, Massachusetts.

Mar 13 Zipper Tango (étude #51, 2002) and Moody's Blues (étude #52, 2002). Radoslawa Jazik, piano. Steinway Hall, New York, New York.

Mar 16 Moody's Blues (étude #52, 2003), Fists of Fury (étude #25, 1999), A Gliss is Just a Gliss (étude #30, 2000) and Absofunkinlutely (étude #68, 2005).  Kara Huber, piano. Weill Recital Hall at Carnegie Hall, New York New York.


Mar 30 The Mystery of Deep Candor (voice and piano, 2014 *premiere*). Judith Bettina, soprano, and James Goldsworthy, piano. Pickman Hall, Longy School of Music, Cambridge, Massachusetts.


Apr 1 Compass (saxophone quartet, 2010). Prism Quartet, Paradigm Lost CD release concert. Marc A Scorca Hall at the National Opera Center, New York, New York.


Apr 2 Compass (saxophone quartet, 2010). Prism Quartet, Paradigm Lost CD release concert. Settlement Music School, Philadelphia, Pennsylvania.


Apr 9 Entre nous (oboe and string quartet, 2016 *premiere*). Boston Chamber Music Society. Sanders Theater, Cambridge, Massachusetts.


Apr 17 Public talk, University of Utah.


Apr 17 Hyperblue (piano trio, 1991-93) and Natura Morta (piano quartet, 2015). Maurice Abravanel Visiting Distinguished Composer Series concert. Canyonlands Ensemble, University of Utah, Salt Lake City, Utah.


Apr 29 Violin Concerto No. 2 (2015-6, *premiere*). Danielle Maddon, violin. New England Philharmonic Orchestra, Richard Pittman, conductor. Tsai Performance Center, Boston, Maassachusetts.


Apr 29 Sesso e Violenza (2 flutes, string trio, piano, and percussion, 1996). Alexa Still and Tim Munro, flute soloists. Oberlin Contemporary Music Ensemble, Tim Weiss, conductor. Klonick Hall, The Kohl Building, Oberlin, Ohio.

Apr 29 Compass (saxophone quartet, 2010). Prism Quartet, First Presbyterian Church, Ann Arbor, Michigan.

May 1 Thickly Settled (clarinet, violin, 'cello and piano, 2011). Da Capo Chamber Players, Merkin Concert Hall, New York, New York.

May 20 Selected études. Kara Huber, piano. Freiman Hall, University of Ottawa, Ottawa, Ontario, Canada.

June 8 Mind the Gap (prélude #18), Ghepardo (prélude #48), Wayo (prélude #51). Sarah Bob, piano. Edward H. Linde Gallery, Museum of Fine Arts, Boston, Massachusetts. 6 pm.


June 11 Mind the Gap (prélude #16), Mind the Gap (prélude #17) and Mind the Gap (prélude #19 ). Yukiko Sekino, piano. First Parish in Lexington, Lexington, Massachusetts. 2 pm.